Mirzoeff, Ch. 6:
- We have already not only long absorbed the costs of this conflict but learned to find them beautiful.
- We need to compare across time and space and learn to see from other people’s perspectives as well as our own.
Last week’s quotes relating to my selfie in NY Times article about Frida:
- “The ancient objects convey the couple’s eclectic taste and deep appreciation for Mexican art and archaeology.”
- “The supplementary mix of Mesoamerican objects, one of the many types of art the couple favored, with her paintings and photographs divulge her yearning for Mexico’s indigenous and agrarian culture and her conflicts with capitalism, especially in the income inequality she witnessed during her travels in the United States.”
- “Kahlo championed her homeland’s indigenous customs in wearing huipiles (woven tunics), rebozos (shawls) and flouncy, long skirts.”
Amy Sherald, Breonna Taylor:
1. “I wanted this image to stand as a piece of inspiration to keep fighting for justice for her. When I look at the dress, it kind of reminds me of Lady Justice.”
2. "She calls this portrait a contribution to the “moment and to activism—producing this image keeps Breonna alive forever.”
Amy Sherald Effect:
1. "All are African-American. Should this matter? It does in light of the artist’s drive to, in her words, seek “versions of myself in art history and in the world.”
2. "When art changes in the present, it changes in the past, too."
Kehinde Wiley, Classic Spin:
1. "For the moment depicted in the painting, the men are protected and invincible, inhabiting an Arcadian realm far removed from the grit of the artist’s childhood."
2. "Mr. Wiley’s champions tend to view his work in overt political terms. He redresses the absence of nonwhite faces in museum masterpieces, “using the power of images to remedy the historical invisibility of black men and women,”"
Black Masculinity:
1. "As I wrote just after the unveiling, the portrait helped bring the many parallels between "portraitist and President" even more clearly into view."
2. "I think I’m pretty good at representing what my work stands for. But when you’re sitting down with the head of state and discussing how he fits within a history of representation, how he specifically can interface with your aesthetic—that’s a pretty high bar to cross."
No comments:
Post a Comment